THE SIBLINGS

A.J. Bond and Amy Belling (unrelated),
have been making diabolical films together
since 2007. A.J. writes and directs, Amy
produces and shoots. Follow along as they finish their first feature film, Stress Position.
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  • beautyandterrordance:

The Texas Chainsaw Massacre

    beautyandterrordance:

    The Texas Chainsaw Massacre

    permalink Inspiration
  • beautyandterrordance:

Oliver Reed, The Curse of the Werewolf.

    beautyandterrordance:

    Oliver Reed, The Curse of the Werewolf.

    permalink Inspiration
  • kubrickonfilm:

Sculpting the Starchild

    kubrickonfilm:

    Sculpting the Starchild

    (via ontheset)

    permalink Inspiration
  • cinemagreats:

    Frances Ha (2012) - Directed by Noah Baumbach

    permalink Inspiration
  • (Source: brideofblacula, via lettertojane)

    permalink Inspiration
  • beautyandterrordance:

Max Schreck as Count Orlok, Nosferatu (1922)

    beautyandterrordance:

    Max Schreck as Count Orlok, Nosferatu (1922)

    permalink Inspiration
  • cinemagreats:

    Stories We Tell (2012) - Directed by Sarah Polley

    permalink Inspiration
  • a-bittersweet-life:

“I won’t always give satisfying answers…I hate even the idea of a synopsis,” Mr. Carruth said. “When stories are really working, when you’re providing subtextual exploration and things that are deeply layered, you’re obligated to not say things out loud.”
…
“I’m really curious about how far it can be pushed.”
By “it,” he explained, he means a more exploratory approach to narrative, which he has found in movies as different as Paul Thomas Anderson’s Punch-Drunk Love and Steven Soderbergh’s Solaris.
While others succumb to gimmickry and doomsaying, Mr. Carruth remains a believer in the untapped potential of cinema. “Everybody’s saying we’ve got to go 3-D or virtual reality or choose your own adventure,” he said. “But there are other ways forward. I don’t think we’re done with film by a long shot.”

    a-bittersweet-life:

    “I won’t always give satisfying answers…I hate even the idea of a synopsis,” Mr. Carruth said. “When stories are really working, when you’re providing subtextual exploration and things that are deeply layered, you’re obligated to not say things out loud.”

    …

    “I’m really curious about how far it can be pushed.”

    By “it,” he explained, he means a more exploratory approach to narrative, which he has found in movies as different as Paul Thomas Anderson’s Punch-Drunk Love and Steven Soderbergh’s Solaris.

    While others succumb to gimmickry and doomsaying, Mr. Carruth remains a believer in the untapped potential of cinema. “Everybody’s saying we’ve got to go 3-D or virtual reality or choose your own adventure,” he said. “But there are other ways forward. I don’t think we’re done with film by a long shot.”

    permalink Inspiration
  • Can’t Hardly Wait:

criterioncast:


Check out the poster for Alfonso Cuaron’s Gravity
Via The Playlist

    Can’t Hardly Wait:

    criterioncast:

    Check out the poster for Alfonso Cuaron’s Gravity

    Via The Playlist

    permalink Inspiration
  • (Source: fellini, via bbook)

    permalink Inspiration
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