THE SIBLINGS

A.J. Bond and Amy Belling (unrelated),
have been making diabolical films together
since 2007. A.J. writes and directs, Amy
produces and shoots. Follow along as they finish their first feature film, Stress Position.
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  • kubrickonfilm:

Sculpting the Starchild

    kubrickonfilm:

    Sculpting the Starchild

    (via ontheset)

    permalink Inspiration
  • cinemagreats:

    Frances Ha (2012) - Directed by Noah Baumbach

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  • (Source: brideofblacula, via lettertojane)

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  • beautyandterrordance:

Max Schreck as Count Orlok, Nosferatu (1922)

    beautyandterrordance:

    Max Schreck as Count Orlok, Nosferatu (1922)

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  • We didn’t know this was being filmed, but for better or worse, here’s the entire SPOILER-laden Q&A with director A.J. Bond after the Stress Position preview at Sci-Fi-London. Thanks to everyone who came out and especially Alex Fitch from Resonance FM for hosting such a thoughtful and interesting Q&A!

    permalink Stress Position
  • cinemagreats:

    Stories We Tell (2012) - Directed by Sarah Polley

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  • a-bittersweet-life:

“I won’t always give satisfying answers…I hate even the idea of a synopsis,” Mr. Carruth said. “When stories are really working, when you’re providing subtextual exploration and things that are deeply layered, you’re obligated to not say things out loud.”
…
“I’m really curious about how far it can be pushed.”
By “it,” he explained, he means a more exploratory approach to narrative, which he has found in movies as different as Paul Thomas Anderson’s Punch-Drunk Love and Steven Soderbergh’s Solaris.
While others succumb to gimmickry and doomsaying, Mr. Carruth remains a believer in the untapped potential of cinema. “Everybody’s saying we’ve got to go 3-D or virtual reality or choose your own adventure,” he said. “But there are other ways forward. I don’t think we’re done with film by a long shot.”

    a-bittersweet-life:

    “I won’t always give satisfying answers…I hate even the idea of a synopsis,” Mr. Carruth said. “When stories are really working, when you’re providing subtextual exploration and things that are deeply layered, you’re obligated to not say things out loud.”

    …

    “I’m really curious about how far it can be pushed.”

    By “it,” he explained, he means a more exploratory approach to narrative, which he has found in movies as different as Paul Thomas Anderson’s Punch-Drunk Love and Steven Soderbergh’s Solaris.

    While others succumb to gimmickry and doomsaying, Mr. Carruth remains a believer in the untapped potential of cinema. “Everybody’s saying we’ve got to go 3-D or virtual reality or choose your own adventure,” he said. “But there are other ways forward. I don’t think we’re done with film by a long shot.”

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  • Can’t Hardly Wait:

criterioncast:


Check out the poster for Alfonso Cuaron’s Gravity
Via The Playlist

    Can’t Hardly Wait:

    criterioncast:

    Check out the poster for Alfonso Cuaron’s Gravity

    Via The Playlist

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  • Stress Position has been selected as one of 3 finalists for the Cine Gear Expo Film Series Competition. All three finalists will screen during the Expo on the Paramount Studios Backlot in LA on Thursday, May 30 and the winner will be announced at a VIP reception on Friday along with a Lifetime Achievement Award for Haskell Wexler! Registering for the Expo is free and tickets to the screening are $10 or $25 for all three.

    Stress Position has been selected as one of 3 finalists for the Cine Gear Expo Film Series Competition. All three finalists will screen during the Expo on the Paramount Studios Backlot in LA on Thursday, May 30 and the winner will be announced at a VIP reception on Friday along with a Lifetime Achievement Award for Haskell Wexler! Registering for the Expo is free and tickets to the screening are $10 or $25 for all three.

    permalink Stress Position
  • (Source: fellini, via bbook)

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